The choreography and dance arrangements of Kathak dancer Mangala Bhatt to Sufi music by Adil Hussaini Khan, Qawwal Sufi singer of the Gwalior Gharana, was not a challenge to the senses. This new art form of Sufi music and Kathak dance, was a natural configuration, a perfect meld of the aural and the visual by two immensely talented performing artistes.
Mangala Bhatt at Chowmahalla Palace | Photo: Anna Rao |
The singer, Adil Husseini was a revelation, his voice - warm, resonant and mellifluous, his intonation and articulation crisp. He conveyed emotion with great melodic skill. Adil Hussein is an extraordinarily gifted musician, climbing up and down the scale with ease; at home and in control, both in the lower register and in the upper register. A master of rhythm, he was an able partner to Mangala Bhatt in this conjunction of Kathak and Sufiyah music. Accompanying Adil Hussein and Mangala Bhatta in the traditional style of Sufi music, were talented artistes on tabla, dholak, harmonium and backing vocals.
Sufi music which originates from Sufism, is a collection of poems which have been composed by some of Islam’s greatest saints. Sufi music is "peace-loving, pluralistic and tolerant", and in recent times, is catching on in appeal to young and old alike.
The music selected by Mangala and Adil was evocatively depicted in both dance and song; enough for the memories of the music and the dance linger on after the performance was over. All the artistes are from Hyderabad, but their talent is international deserving of a much bigger audience.